Known for his work in the popular proto doom act Jex Thoth and from his own power electronics outfit Burial Hex, Clay Ruby ventures in a different direction this time. An album of outsider metal, it's sparse and bleak, but rumblings, clanging and tortured cries erupt violently throughout. A very unhinged and dangerous album. Comparisons could be drawn to Armanenschaft, Blood of the Black Owl & the True Werwolf, both musically, as well as in the sense those bands also use black metal as a foundation to explore darker, more experimental avenues.